The same end caps can be executed with a final lap or without a lap (Flamencoson’s favorite) …
Category Archives: Glossary Flamencoson
Paseíllo flamenco in the flamenco sevillanas flamencas
Unlike the paseíllo of the more classic sevillanas, the Paseíllo of Flamencoson’s Sevillanas Flamencas is easier to execute at foot level, it will serve you for the basic crossings, …
Deaf palms
These are the ones that are played by cupping palm against palm, so that the sound is more muffled (deeper). The deaf palmas are the ones that we will give, above all, to accompany …
Marking of the flamenco sevillanas
As I indicated in the section on the Flamenco Sevillanas Flamencas markings of the Flamencoson Method, we have replaced the laps with remates in order to …
Sonorous clapping in flamenco sevillanas
They are played by drumming 3/4 fingers of your right palm (unless you are left-handed) against the other palm. Its sound is sharper …
Marcaje El Compás (Third Sevillana Flamenca – First Third)
Marcajes in the flamenco sevillanas “We will call marcajes to the different ways of executing foot steps, accompanied by figures of arm movements (braceos). The marcajes …
Paseíllo flamenco with profile placement
In the case of the Cuarta Sevillana, the positioning at the end of the paseíllo is in profile, in the cases in which we cross with a carriage cross after …
Paseíllo flamenco with frontal placement
From the Second Third of the Second Sevillana, the paseíllos end with 2 steps of frontal placement at the back …
Marcaje Vals Abajo (Fourth Sevillana Flamenca – First Third)
Marcajes in the flamenco sevillanas “We will call marcajes to the different ways of executing foot steps, accompanied by figures of arm movements (braceos). The marcajes …
